Art News


MUST KNOW: Anish Kapoor condemns racist attack on Versailles sculpture

Anish Kapoor’s controversial, cavernous sculpture Dirty Corner, sited in the grounds of the Palace of Versailles outside Paris, has been vandalised for a second time. In a statement, Kapoor condemned the attack, saying that the 33 foot-high sculpture has “become a receptacle for the dirty politics of anti-semitic vandals, racists and right-wing royalists… I will not allow this act of violence and intolerance to be erased. Dirty Corner will now be marked with hate and I will preserve these scars as a memory of this painful history.” Fleur Pellerin, the French culture secretary, said on Twitter that the defacement was an act of “stupidity and violence against culture”. Catherine Pégard, the president of the Palace of Versailles, tweeted that the attack was “intolerable”, adding that her staff were outraged. Phrases were daubed on Saturday, 5 September, in white paint on the work and the surrounding rocks, some of them anti-Semitic; one of the slogans stated that “Christ is King in Versailles”, another said “disgust, dishonour, treason, satanism.” The 60m-long work was quickly cleaned after it was attacked in June when vandals splashed the piece with yellow paint. Kapoor’s exhibition at Versailles is due to close on 1 November.



MUST SEE: Can taste, touch, smell and sound change the way we ‘see’ art? try @ Tate Sensorium.

Galleries are overwhelmingly visual. But people are not – the brain understands the world by combining what it receives from all five senses.

Tate Sensorium is an immersive display featuring four paintings from the Tate collection. You can experience sounds, smells, tastes and physical forms inspired by the artworks, and record and review your physiological responses through sophisticated measurement devices. 

The experience encourages a new approach to interpreting artworks, using technology to stimulate the senses, triggering both memory and imagination. On leaving, you will be invited to explore the rest of the gallery using the theme of the senses as a guide. Tate Sensorium is the winning project of IK Prize 2015, awarded annually for an idea that uses innovative technology to enable the public to discover, explore and enjoy British art from the Tate collection in new ways.

 More info about artworks and medias used for Tate Sensorium here



MUST HAVE: When art meets transport - stylish bikes inspired by works of art

To celebrate their 100th birthday, the Minneapolis Institute of Arts (MIA) teamed up with Handsome Cycles to create three different bicycles customized to look like famous paintings from the MIA.

Bike #1 was inspired by Hans Ledwinka’s Tatra’s 1948  T-87 four door sedan. Taking cues from the car’s smooth, curvy lines and striking front lights, the bike as a front hub dynamo powered classic front light, honey saddle, and matching cognac-colored bar tape.

Bike #2 features delicate brush strokes and the colors of the golden fields in France. Inspired by Claude Monet’s Grainstack, Sun in the Mist painting, this bike is all about maintaining a delicacy that’s found in Monet’s art. The frame of the bike is simple to exemplify the rural and natural feel.

Graphic shapes and bold colors characterize Bike #3 (featured photo), which gives nod to the 1969 Frank Stella, Tahkt-i-Sulayman, Variation II. To capture the essence of the painting, this bike’s motto is “What you see is what you get.” Everything is out on display and nothing is hidden. Simple yet bright, it’s the most playful of all the bikes.



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