Trained in the techniques of ceramics, very early on Lucien Petit associates the interior to his personal work, an image recurring in all of his work.
Lucien Petit most recent works evolving between anthropomorphism and abstraction, are part of the tradition of simple shapes of sculptors who have been able to mark the modern history of La Borne. Set in a space and installed on the ground, these sculptures act as the protagonists of a silent piece reminiscent of the monoliths of a constantly changing landscape. Never frozen, it is always likely to be reconfigured or connected to other objects or foreign organic elements.
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