Totems made of an ancient wooden bike from the Kivu region by Ethiopian artist Etiye Dimma Poulsen.
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Etiye Dimma Poulsen I Totems

Totems made of an ancient wooden bike from the Kivu region by Ethiopian artist Etiye Dimma Poulsen.

Dimensions

Width

Height

252

Lenght

Weight

Material and medium

Mixed Media

Edition

One of a kind

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Totems made of an ancient wooden bike from the Kivu region by Ethiopian artist Etiye Dimma Poulsen. Etiyé Dimma Poulsen’s work focuses on the primal aspects of human existence. “I strive to shape figures in their most naked, primal state, symbolizing solitude, fear, desire, and belonging,” she explains. “Each sculpture is a trace of human culture, a reflection of our shared existence on earth.” Her creations often form communities—a gathering of totems that resemble a forest. This collective presence speaks to the interconnectedness of humanity, a theme central to African contemporary art and to Etiyé’s personal philosophy. While deeply rooted in her Ethiopian heritage, Etiyé Dimma Poulsen’s work transcends traditional definitions of “African art.” Her sculptures evoke the essence of African contemporary art, blending cultural memory, modern craftsmanship, and universal themes. They celebrate the beauty, dignity, and vulnerability of the human form, offering viewers a profound connection to their own humanity. “I want my art to capture the ephemeral joy of living,” Etiyé says. “Even though joy is transient, art has the power to make it endure forever.”
Totems made of an ancient wooden bike from the Kivu region by Ethiopian artist Etiye Dimma Poulsen.

Born in Ethiopia in 1968 and raised in Denmark, Etiyé Dimma Poulsen has developed a singular sculptural practice that transcends cultural and geographical boundaries. Through her refined and powerfully expressive figures, the artist explores the human condition in its most universal dimensions: vulnerability, solitude, the desire for belonging, and the fragile beauty of existence.

Etiyé Dimma Poulsen’s creative process is rooted in a constant dialogue betweencontrol and transformation. Her sculptures begin with metal wire structurescovered in fine layers of hand-modeled clay. During firing, the kiln becomes anunpredictable force, revealing cracks, textures, and surface accidents thatbecome integral parts of the work itself. Earth and fire merge through analmost alchemical process in which each sculpture appears to emerge as a newliving presence.

Her work draws equally from the traditions of African art and from ancientGreek, prehistoric, and Eastern aesthetics. This cultural hybridization givesrise to timeless figures reminiscent of totems and archetypes, establishing adialogue between ancestral memory and contemporary sensibility.

Etiyé Dimma Poulsen’s sculptures often appear as silent communities. Gatheredtogether in space, they evoke a forest of human presences in which each figureretains its individuality while participating in a shared collective energy.This relational dimension forms a central aspect of her artistic philosophy.

Although deeply rooted in her Ethiopian heritage, Etiyé Dimma Poulsen’s worktranscends conventional definitions of African art. Her sculptures embody aprofoundly contemporary vision where material, memory, and emotion converge ina universal reflection on humanity.

Her work is included in numerous international museum and public collections,including the Smithsonian Museum in Washington, the New Walk Museum in theUnited Kingdom, the Herbert Johnson Museum in New York, the National Museum ofSèvres, the Jean-Paul Blachère Foundation, and several major private collectionsdedicated to contemporary African art.

Through her sculptures, Etiyé Dimma Poulsen seeks to capture the fragile andephemeral joy of living, transforming matter into a lasting testimony of thehuman experience.

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