Abstract contemporary artwork made of burnt collage on acrylic on canvas by artist Jean Boghossian.

Jean Boghossian I Untitled Blue and Yellow 2020

Abstract contemporary artwork made of burnt collage on acrylic on canvas by artist Jean Boghossian.

Dimensions

Width

5

Height

200

Lenght

200

Weight

Material and medium

Mixed Media on canvas

Edition

One of a kind

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Striking piece of abstract contemporary art by renowned Belgian artist Jean Boghossian blends innovation and tradition in a visually compelling composition. Created through his unique technique of burnt collage on acrylic on canvas, this artwork encapsulates the raw power of fire as a medium for artistic expression. Jean Boghossian, of Armenian and Lebanese descent, is celebrated for his postwar and contemporary work that challenges conventional boundaries. With a masterful use of fire and burn marks, Boghossian infuses his pieces with a dynamic sense of movement, evoking themes of transformation, destruction, and regeneration. Each mark, each burn, is deliberate—imbuing the canvas with a visceral energy that resonates deeply with viewers.
Abstract contemporary artwork made of burnt collage on acrylic on canvas by artist Jean Boghossian.

Jean Boghossian is a Belgian artist of Armenian and Lebanese origin, celebrated for his innovative use of fire and burn marks in Postwar & Contemporary art. Through his dynamic and abstract creations, Boghossian explores themes of movement, transformation, and regeneration, captivating viewers with works that evoke a visceral sense of energy and rebirth.

Born in Aleppo in 1949, Boghossian hails from a family of renowned jewelers. While studying Economics and Sociology at the University of Saint-Joseph in Beirut, he worked alongside his family in the jewelry trade. However, the outbreak of the Lebanese Civil War in 1975 led him to relocate to Belgium, where he eventually settled. Over three decades ago, driven by a deep passion for art, Boghossian enrolled at the Academy of Fine Arts in Boitsfort, Brussels, all while continuing to manage the family business.

In 1992, Jean, along with his brother and father, established the Boghossian Foundation at the Villa Empain in Brussels. This foundation reflects the family’s cosmopolitan outlook and commitment to fostering intercultural dialogue between East and West, mirroring Jean’s own global identity.

For more than 30 years, Boghossian has dedicated himself to his artistic journey, describing art as a space for liberation, creativity, and refuge. “I wanted to free myself from the jewelry business to pursue a completely independent artistic approach. It gives me extraordinary energy. Standing before a large canvas is both a physical and emotional experience,” he explains.

Boghossian’s distinctive technique revolves around the deliberate use of fire, a method he employs to create harmony out of chaos. Working with flames and smoke—forces both invasive and unpredictable—he engages in a delicate dance, embracing the fire’s spontaneity while choosing the precise moment to halt its progress. This balance of destruction and creation is central to his practice, yielding works that are both raw and refined.

While artists such as Claudio Parmiggiani and Yves Klein have also incorporated fire into their work, Boghossian’s approach is uniquely his own. His process involves manipulating the canvas through folding, stapling, covering, burning, and redeploying the material before finalizing the composition. The result is a synthesis of method and unpredictability, tension and control, that underscores his innovative contributions to contemporary art.

Drawing on his experiences of historical upheavals, cultural shifts, and poetic narratives, Jean Boghossian offers a vision of art as a universal language. His work embodies a new, humanistic perspective that resonates deeply in today’s fragmented world, inviting viewers to find beauty in transformation and resilience.

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